Sometimes I see signs
of the start of a new season;
a lonesome migratory bird
that’s soon joined by its swarm,
a brief sun ray
that initiates the melting of the frost
that’s settled on all surfaces detectable,
or the freshly green head
of a wood-anemone
soon to pop open
to free its white flower

These moments
are normally passageways
to a different season’s beginning,
these are in usual cases
the events that crack
the surface of the ice open,
resulting in a spider web like pattern
But the temperature stays the same
and the sun stays in its same position,
with its transition to darkness
at 14:22 every day

By this time I’ve already been awake
for more than eight hours,
a full work day for some
It’s unimportant
how I spend these hours,
it really differs,
but all I can tell
is that the cold keeps me
preoccupied

I like being outside
when it’s still daylight
I don’t live
in a barn or anything,
nor do I have my own garden,
but I enjoy the public parks
that are within walking distance
from my flat
The little greens cheer me up
in so many ways
Whenever I feel alone
it does the trick
to just wander around,
pretty cluelessly
Just like a freshly brewed
cup of coffee
it removes that thin visor
from my vision,
that sometimes has made me feel
like an astronaut
on planet earth

After some loops around the park area
I seek out a bench
and close my eyes
to pretend it’s spring
Spring in the city
Her head is gently bent down
as she reads through
the last edition of stories
It’s read off a tablet
tied to her hand
by some weave
Sometimes little mechanical butterflies
arrive at her hand,
settle for a moment,
held up by their
metal-like structures

She looks at them the stern way
a dog owner looks at their dog
as the dog lets out its uninhabited side
for a minute
with a mixture of discipline
and fascination

Sometimes they stay for a moment,
flutter their emerald coloured wings,
eyes open, eyes close,
they mimic looking,
like looking at the world
and then closing your eyes again,
thinking it will look different
next time your eyes open
She writes portraits
Or rather
she has found someone
who writes them for her
She considers herself a compiler of assets
Her collaborator could be
compared to an archivist
Someone who analyses content
It was no easy task to find someone
suitable
for the extent of her documentation

Sometimes she asks herself,
why recompose something so compostable
as the memory of someone?
When you miss someone,
what is it, you miss about them?
An image, a picture?
Where in your presence do they reside
when you forget about them?

The way they look at you when they ask;
should I get you a coffee?
Their voice on the other line,
breaking up through a weak connection,
telling you they are on their way,
and the way they smell
when they come pick you up from your work
Waiting outside,
the way they look
at the people passing by
and the passers by
gaze on them
How they speak
to someone over the counter

You lock eyes,
for the first time
How did they feel the first time you touched?
The way they get dressed,
asking for your opinion,
what color suits them the best?
The way they undress
How they fold their clothes
after they’ve been washed

Open the fridge, open a window,
ask for a lighter, gaze at something odd,
in the periphery of your shared frame

Is it the way they touch you
when they try to reach you,
reach through you,
that stays
when everything else has departed?
One of the strangest part-time jobs I ever had was surveilling an art installation in a blue-chip gallery in the western parts of the city. I would arrive there at 10.45 and get dressed in my full black suit. The gallerist was obsessed with lookalikes and I’d been hired because I looked just like someone else. She wouldn’t tell me who. It was ridiculous. She’d just unfavorably look over at me whenever I’d arrive. “Get dressed darling”, she’d say and I’d slide into the straitjacket of the day.

You can always tell when affirmative language has been hijacked. It’s like the vowels have gotten drunk in some outcast place of the city, and then crawled back to the bright light, asking for permission to never go stray again. That’s how you become robotic. You ask for permission to never fuck up again. In order to receive that permission you need to sacrifice. I’m not sure what was with this woman but she paid my bills and she enjoyed dressing me up like her little mannequin. She never asked any personal questions, took absolutely no interest in me as a person, and smiled mechanically whenever I answered a question of hers with more than a syllable. For three months I guarded an installation in her gallery. It wasn’t like I was her gallerina, or assistant of any kind, I was profoundly remote from any kind of intellectual property the gallery solicited. I was just there, in the white cube corner locale with its wide windows exposed to the side-street of the fanciest high-street there possibly was, at least in my bank of knowledge.

For a solid 8 hours I would walk around the art installation in the middle of the space. It was a mini-version of the gallery, with glass windows and with a plush-sculpture of another janitor overseeing the space. The plush-janitor had been squeezed into the same uniform I’d been made to wear but wore a bunny head and angel-wings. So much for the lookalike. In hindsight I find my own role in the piece ultimately perturbing. But at that time I just didn’t care. When you’re part of a crew - I mean whatever that means to you - like you know your place – wherever that is for you – all other places just come off as obsolete. Like being in love. Your sight gets smudged for better or worse.

People would enter and I would greet them, tell them some words about the exhibition, and ask them to step into the simulation once they felt ready. Within the cube they received some VR-helmets that kept them occupied for approximately 40 minutes. During that time I would just stand at some place in the gallery, often with my hands interlaced, lightly resting on my sacrum bone, looking at the people walking by on the outside.
I used to think that if I could document all sensations in a given moment, I would later on be able to travel back to that place in my mind. Close my eyes to the present and open them to the past. I memorized the temperature, the nuances of the season, the height from which I was looking, dimensions, proportions and held this as a piece of evidence.

<3 - 2023-12-29 13:36:28 - <3<333333

adolphus50@moneysquad.org - 2022-10-06 00:56:37 -

- 2022-10-06 00:56:37 -

adolphus50@moneysquad.org - 2022-10-06 00:56:35 -

joan14 - 2022-10-06 00:56:35 -

Developer - 2022-10-06 00:56:33 -

Developer - 2022-10-06 00:56:25 -

shannon_boyer@moneysquad.org - 2022-10-06 00:56:09 -

- 2022-10-06 00:56:08 -

shannon_boyer@moneysquad.org - 2022-10-06 00:56:06 -

joan14 - 2022-10-06 00:56:05 -

shannon_boyer@moneysquad.org - 2022-10-06 00:56:03 -

joan14 - 2022-10-06 00:55:57 -

118 Yundt Burg - 2022-10-06 00:51:14 -

- 2022-10-06 00:51:14 -

118 Yundt Burg - 2022-10-06 00:51:13 -

Suite 574 - 2022-10-06 00:51:12 -

118 Yundt Burg - 2022-10-06 00:51:11 -

Suite 574 - 2022-10-06 00:51:03 -

lonnie46 - 2022-10-06 00:50:45 -

- 2022-10-06 00:50:44 -

lonnie46 - 2022-10-06 00:50:43 -

nico.franecki@bdcimail.com - 2022-10-06 00:50:42 -

nico.franecki@bdcimail.com - 2022-10-06 00:50:40 -

lonnie46 - 2022-10-06 00:50:38 -

lonnie46 - 2022-10-06 00:50:21 -

- 2022-10-06 00:50:19 -

lonnie46 - 2022-10-06 00:50:17 -

baylee_harris@bdcimail.com - 2022-10-06 00:50:15 -

baylee_harris@bdcimail.com - 2022-10-06 00:50:13 -

lonnie46 - 2022-10-06 00:50:08 -

E - 2022-04-11 00:22:06 - so beautiful

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*_* - 2022-03-31 12:01:05 - I love it!!